The Importance of Being Earnest - Review
10:34 AM | Author: Seen.By.Ice.Queen
Went to catch this play on Saturday at Drama Centre and was seated at Circle 2's front row. Before watching this Oscar Wilde comedy, directed by Glen Goei and starring an all male cast, I was wondering if I might be revolted by the portrayal of the males in their gender-bending depiction.

Don't get me wrong, I am not gay-phobic but most times, males acting as females in theater tends to overplay the 'feminine factor' and the dramatized depiction gets a little uneasy and unnatural.

I was glad to experience none of the unnatural-'ness' as the gender-bending characters played by Ivan Heng (Lady Bracknell), Chua Enlai (Gwendolyn Fairfax), Hossan Leong (Miss Prism) and Gavin Yap (Cecily Cardew) were a natural balance of masculine-femininity. Much like how a normal girl might be in real life. Of course, I'm not referring to a dainty, 'manja' girlish type but a typical new age female.

The actors did not try too hard to up the girlish-ness of feminine factor and in fact interjected masculine outbursts at certain points for comical effect.

The direction given to this play by Glen Goei, from the beautiful classical pieces serenading the crowd by T'ang Quartet, to the laid-back setting of an otherwise 'snooty' era the play is set in, made the play very 'consumable' to non-theater goers (in my opinion anyways).

Particularly commendable are the portrayals by Brendon Fernandez (as Algernon Moncrief), the cheeky young lad who is never serious about anything and lives life beyond his means, as well as, Gavin Yap's portrayal of a ditsy and pretty 18-year-old Cecily Cardew. Together, their young, romantic antics and comic timing brought many laughs to the audience.

Ivan Heng in 'her' royal-highness, did a grand portrayal of diva-ness and Hossan Leong as usual never fails to entertain with his shrilly, old maid style. However, it failed to impress not because they were not great but simply because I expect them to be this good.

Kudos to T'ang Quartet for being so candid in their segments, being part of the lively act between cast and musician. I can definitely bear a late start to the show simply because their music make time irrelevant.

Another point to note is the beautiful costumes designed for this cast by Frederick Lee. I used to model for his bridal shows but seeing his creations in this play makes me wanna be living in the play just to wear his clothes all over again.

You don't have to be an 'artsy' theater-goer. If you are a comedy-buff, fashionista, music lover or simply wants to be entertained, this play is worth being at. And at the price the tickets are going for, Wild Rice is definitely pegging it to current financial situations.

Rating:


Show details:
Date: 25 Mar - 11 Apr 2009
Venue: Drama Centre Theatre @ National Library Building
Tickets: www.sistic.com.sg

Brendon Fernandez talks about the play and his character:

The Crab Flower Club
5:32 PM | Author: Seen.By.Ice.Queen
Presenting a project by Toy Factory. Directed by Goh Boon Teck, The Crab Flower Club was inspired by poems from A Dream of the Red Chambers.



In the original text, characters in the novel enjoy gathering in a pavilion garden to consume river crabs and compose poems of flowers. In this contemporary theatre piece, Goh Boon Teck borrows the sense of vulnerability and decadency in Cao’s context to create a contradictory space where his original characters communicate and confront.

The newly created set of protagonists are five related women in a respectable household in Qing
Dynasty, all ready to embrace each other’s wholesomeness as well as bringing one another down to ashes. During their preparation of a complex crab feast and creating metaphorical poems about Chrysanthemums and Begonia, we are enlightened by their multi-faceted world of morality, conspiracy and philosophy.

The pillar of sound for The Crab Flower Club will be Franz Liszt’s Symphonic Poem Les Preludes.
This symphonic poem is a pure display of emotion, and subtle on depiction of messages and meanings. Liszt felt that the language of music could be cross-pollinated by other arts, such as poetry and painting. This symphonic poem was composed during the era of this play, the fusion brings sensitivity of the west into an oriental story. The music will be treated with contemporary sound design.

Video Art will also be incorporated in this production. Working closely with ink painter Hong Sek
Chern, her LIVE painting will be projected to create the multiple changes of visuals on stage. As the leading female artist in Singapore, her powerful and sensitive visuals will provide extraordinary dimension to the play.



Performance Information
Performance Venue: Drama Centre
Dates: 03 - 05 June 2009 (Wed – Fri)
No. of shows: 3 shows
Duration: Approximately 90 mins - no intermission
Show time: 8PM
Language: English with Chinese subtitles
Ticket Prices: $50, $40, $30, $20
Ticket Agent: SISTIC hotline 63485555 or visit www.sistic.com.sg
What The Butler Saw - Trailer
3:45 PM | Author: Seen.By.Ice.Queen
Am seriously overloaded with tasks and am falling behind on updating my blog. Quite a few things to look out for coming up.

There's FHM Girl Next Door 2009, Miss Singapore Universe 2009 and Manhunt 2009. Will try to update on those whenever I can. For now, catch the trailer of WTBS coming to you from 7 Feb 2009.